All products

"Charlie Chaplin" by Hector Francesch

200.00

3 color silkscreen on paper

50 x 70 cm

Pieces comes signed and certified.

*All items are shipped in protective packaging, and all duty of care is taken to ensure it gets to you intact and unmarked.

About Hector Francesch

Hector Francesch was born in 1977 and was primarily influenced by the 1990s growing up. Art in the 1990s was defined at the start of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of creatives, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, alongside being favoured by super collector of the time Charles Saatchi. The most successful artist of the group is Damien Hirst, who was also an early organiser of group activities. Other artists included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their work became noted for shock tactics and the sensationalism of both material and message. They also became known for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They achieved considerable amount of media coverage and dominated British art during the 1990s. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Also gaining prominence at this time was an emergent trend in Japan related to the huge boom in advertising and consumerism that took place during the economic dominance of the 1980s. The indigenous comic book culture of manga, allied to trends in advertising, graphic design and packaging, saw a young artist called Takashi Murakami develop his theories which he coined ’Superflat’. Influenced by his experiences in New York City in the mid-1990s, Murakami was to form a significant collective called Kaikaikiki, which became internationally renowned as an artistic group.

  • Image of "Charlie Chaplin" by Hector Francesch